M
Mani
Guest
Sadly, No Moz. This is a "Guitar World" post, so please feel free to ignore.
> MANI, F*CK YOU!!!!!!!! YOU DO NOT SAY @#!!! ABOUT RANDY
> RHOADS!!!!!!!!!
First of all, calm your vulgar ass down! I was merely stating ym displeasure for him. Nothing wrong with that. Keep your comments objective or shut the hell up.
> ANYONE WITH HALF A BRAIN KNOWS HE IS ONE OF THE
> GREATEST GUITARISTS THAT EVER LIVED AND I'M SORRY TO SAY, BETTER
> THAN ANY MORRISSEY-SOLO GUITARIST.
Okay, two-handed tapping is fascinating...to the eyes! But, how can you enjoy eighth notes that you can't noticeably hear?
Yes, that "Crazy Train" riff is a classic, but that rhythm that leads into the verse is just plain masturbatory. Rhoads is another case of a one-trick-pony lead guitarist, not being able to handle rhythm. Scott Ian is a good example of rhythm because he incorporates overwhemling speed with audiable chords.
Randy Rhoads is the best? Who would that guy be without "Mr. 5150"? The only difference is, Rhoads did it faster. Faster ain't better.
> ALL YOU NEED TO DO IS LISTEN.
"Listen" is the key. All the eighth notes in a guitar tablature magazine isn't gonna impress me. A guitarist like Rhoads needs to understand that less is more, and he put too much licks in his solos only because it was "in".
> RANDY EASILY RANKS UP THERE WITH PAGE, MARR, SLASH, CLAPTON,
> ETC.
OH GOD! Page stole from more than he benefitted. Page's bowing on "Dazed and Confused" was a stolen idea from another band called Trident, who's guitarist already did it. And, his tunings are what made the psychedelica, not his licks.
Clapton is the same damn story. Not an originator, a borrower.
Slash is credible--good sense of melody. But, I don't care for his blues work.
Marr might've just blown it with this Beck thing. If the track sucks, and the Healers suck, I might have to just dismiss him entirely.
> IT IS ONE OF THE GREATEST ROCK TRAGEDIES THAT HE DIED AFTER
> ONLY TWO ALBUMS WITH OZZY.
Tragic, yes. Still, his only testament was an early death, and it causes people to magnify his talent. Yes, he was young, and you can only wonder how much better he'd been if he was still around.
> YOU DO NOT KNOW WHAT THE F*CK YOU ARE
> TALKING ABOUT SO JUST GIVE UP THIS TOPIC.
Look, Pantera! I've seen Randy Rhoads onstage. I've studied 6 years of Lydian, Pythagorean, Ionian, and Mixolydian Modes. I've done permutation exercises everyday for six years. I know the ethic it takes to play guitar.
You have no knowledge of true history involving guitar. The real originators are in the jazz, blues, and classical music that everyone dismisses. That's why these so-called 'legends' don't impress me.
I can back up my integrity on this issue. Where's yours? (And don't post in caps this time!)
> MANI, F*CK YOU!!!!!!!! YOU DO NOT SAY @#!!! ABOUT RANDY
> RHOADS!!!!!!!!!
First of all, calm your vulgar ass down! I was merely stating ym displeasure for him. Nothing wrong with that. Keep your comments objective or shut the hell up.
> ANYONE WITH HALF A BRAIN KNOWS HE IS ONE OF THE
> GREATEST GUITARISTS THAT EVER LIVED AND I'M SORRY TO SAY, BETTER
> THAN ANY MORRISSEY-SOLO GUITARIST.
Okay, two-handed tapping is fascinating...to the eyes! But, how can you enjoy eighth notes that you can't noticeably hear?
Yes, that "Crazy Train" riff is a classic, but that rhythm that leads into the verse is just plain masturbatory. Rhoads is another case of a one-trick-pony lead guitarist, not being able to handle rhythm. Scott Ian is a good example of rhythm because he incorporates overwhemling speed with audiable chords.
Randy Rhoads is the best? Who would that guy be without "Mr. 5150"? The only difference is, Rhoads did it faster. Faster ain't better.
> ALL YOU NEED TO DO IS LISTEN.
"Listen" is the key. All the eighth notes in a guitar tablature magazine isn't gonna impress me. A guitarist like Rhoads needs to understand that less is more, and he put too much licks in his solos only because it was "in".
> RANDY EASILY RANKS UP THERE WITH PAGE, MARR, SLASH, CLAPTON,
> ETC.
OH GOD! Page stole from more than he benefitted. Page's bowing on "Dazed and Confused" was a stolen idea from another band called Trident, who's guitarist already did it. And, his tunings are what made the psychedelica, not his licks.
Clapton is the same damn story. Not an originator, a borrower.
Slash is credible--good sense of melody. But, I don't care for his blues work.
Marr might've just blown it with this Beck thing. If the track sucks, and the Healers suck, I might have to just dismiss him entirely.
> IT IS ONE OF THE GREATEST ROCK TRAGEDIES THAT HE DIED AFTER
> ONLY TWO ALBUMS WITH OZZY.
Tragic, yes. Still, his only testament was an early death, and it causes people to magnify his talent. Yes, he was young, and you can only wonder how much better he'd been if he was still around.
> YOU DO NOT KNOW WHAT THE F*CK YOU ARE
> TALKING ABOUT SO JUST GIVE UP THIS TOPIC.
Look, Pantera! I've seen Randy Rhoads onstage. I've studied 6 years of Lydian, Pythagorean, Ionian, and Mixolydian Modes. I've done permutation exercises everyday for six years. I know the ethic it takes to play guitar.
You have no knowledge of true history involving guitar. The real originators are in the jazz, blues, and classical music that everyone dismisses. That's why these so-called 'legends' don't impress me.
I can back up my integrity on this issue. Where's yours? (And don't post in caps this time!)