Good memory.
Word magazine, 2003
http://www.alinkarel.plus.com/smiths/moz2.html pages 5-6
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Your music has often been quite hard on your upbringing. Barbarism Begins At Home is a howl of protest against being beaten, the child in Used To Be A Sweet Boy goes wrong in some unspecified way, Late Night, Maudlin Street is a straightforward attack on the misery of the family home...how does your mum feel about all this?
Early on the music was quite harsh, yes, but that has changed. Generally she likes it, although it is all autobiographical. I did get the clip around the head occasionally, as in the song, but I probably deserved it. I was a very noisy child. I always stood in front of his television, I wouldn't go to bed, and then I discovered music at the age of six and played it loud, continuously, all day from that point onwards. I would sing, non-stop, which must have been unbearable. I was surprised they were so tolerant of me, to be honest.
Is your father still around? Are you like him?
Yes, he is. And yes, I am, in certain respects. Why?
Because your Irishness is coming to the fore. You've written a song called Irish Blood, English Heart, you've started to say "Jaysus", you now pronounce the word "any" to rhyme with "Annie"...
That's interesting. But even when The Smiths recorded
Please Please Please Let Me Get What I Want there were thousands of letters saying "This is Foster and Allen" or something similar. I've never had a Manchester accent. I've always had a very soft voice and I was raised by my mother's side of the family, who were very Irish. I never sounded Mancunian, for which I thank God every day.
What does your father do?
He does...certain things. Useful things. Let's leave it at that."