Guitar tab for Jeane?

[Aaron-Eel's-Ankles]

Hello,

Please stay standing as I want all of you out of my life as quickly as possible.

Now "Jeane" is a nice ditty, I'm thinking of something between D and A? Are they barre chords at all? Any alternate tunings I need to know of? What about all the little inbetween bits? I have a lazy ear which refuses to get off the settle, you'll have to do it all for me.

Failure to answer truthfully will result in bonfires the lasting agent of which shall be your lard.

I'd thank you in advance but why should I? Ha ha (yawn). Give me a reason to.

Your "Pal",

Frédéric Chopin

 

[CrushingBore]

Ere you go....

Howdy.
You're right with the D and A thing. The following seems pretty accurate to me; but I'm not sure where I got it

It's not exactly definite on what you call the in between bits, but it's all I have to offer. As for the authors offering about the song's "decomposition" I find that particularly funny.


#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
From: Justin Hagel

Ok, Here it goes......

note: Every dash or space represents 1/16th note. 4/4 time, E minor
scale. I tried making just one guitar part. A rythym guitar would just
play barr chords for all chords.
Also, I have a bad feeling that Marr played this capoed on the 5th, but
since your gonna play it acoustically....... The leads aren't exact
either. I usually just play through the chords anyway.

Jeane (Morrissey/Marr)
from the single "This Charming Man"

transcribed by Justin Hagel ([email protected])

Intro:

D A D A
|5---5-----5-5-5-|5-5-5-5---5-5-5-|
|7---7-----5-5-5-|7-7-7-7---5-5-5-|
|7---7-----6-6-6-|7-7-7-7---5-5-5-|
|7---7-----7-7-7-|7-7-7-7---7-7-7-|
|5---5-----7-7-7-|5-5-5-5---7-7-7-|
|----------------|----------------|
(just rythym guitar and drums. Bass enters on last few beats)

Verse:

D A D A D A D A
|5---5-----5-5-5-|5-5-5-5---5-5-5-|5---5-----5-5-5-|5-5-5-5---5-5-5-|
|7---7-----5-5-5-|7-7-7-7---5-5-5-|7---7-----5-5-5-|7-7-7-7---5-5-5-|
|7---7-----6-6-6-|7-7-7-7---5-5-5-|7---7-----6-6-6-|7-7-7-7---5-5-5-|
|7---7-----7-7-7-|7-7-7-7---7-7-7-|7---7-----7-7-7-|7-7-7-7---7-7-7-|
|5---5-----7-7-7-|5-5-5-5---7-7-7-|5---5-----7-7-7-|5-5-5-5---7-7-7-|
|----------------|----------------|----------------|----------------|

G A D A D A
|----3---5-3-----|5-5-5-5-7---5---|5---5-----5-5-5-|5-5-5-5---5-5-5-|
|3-----3-----3---|----------------|7---7-----5-5-5-|7-7-7-7---5-5-5-|
|----------------|----------------|7---7-----6-6-6-|7-7-7-7---5-5-5-|
|----------------|----------------|7---7-----7-7-7-|7-7-7-7---7-7-7-|
|----------------|----------------|5---5-----7-7-7-|5-5-5-5---7-7-7-|
|----------------|----------------|----------------|----------------|

Chorus:

G/D/G/D/G/D/G/A

(I havent figured the lead out here, but its not playing the last two
measures)

Bridge:

F# F# F# F#
|------------2---|------------2---|------------2---|2-------2-------|
|-------2--------|--------2-------|--------2-------|----2-------2---|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|

Outro:
D D
|5---5-----------|
|7---7-----------|
|7---7-----------|
|7---7-----------|
|5---5-----------|
|----------------|

The capoed version is just capoed at the 5th fret, and the chords are
translated and the leads are moved up the neck.

Here's the decomposition of the song:

Intro
Verse
Verse
Verse
Chorus
Verse
Verse
Chorus
Verse
Verse
Bridge
Verse
Verse
Chorus
Outro

 

[Uncleskinny]

Troy Tate version and Sandie Shaw version

> Hello,

> Please stay standing as I want all of you out of my life as quickly as
> possible.

> Now "Jeane" is a nice ditty, I'm thinking of something between D
> and A? Are they barre chords at all? Any alternate tunings I need to know
> of? What about all the little inbetween bits? I have a lazy ear which
> refuses to get off the settle, you'll have to do it all for me.

> Failure to answer truthfully will result in bonfires the lasting agent of
> which shall be your lard.

> I'd thank you in advance but why should I? Ha ha (yawn). Give me a reason
> to.

> Your "Pal",

> Frédéric Chopin

Well, when I started playing this, I did it as follows:

Verse: D, A then G, A, Bm

Break: F#m, E

- this is the way he plays it on the Troy Tate version.
However, an easier way, and the way he plays it on the version with Sandie Shaw, is to put a Capo on the 2nd fret, and play it as follows:

Intro: F, G, Am

Verse : C, G then F, G, Am

Break : Em, D

I reckon this way it sounds more resonant, and you don't have to play the fiddly (to me) F#m. The notes sound the same anyway.

Bye for now,

Sk.

 

[Aaron-Eel's-Ankles]

Spank you!

I've been looking for that for a while now, amazing.

I'm sure somebody has asked for it in the past but thank you for not roasting me violently, I would have enjoyed it; but even so, even so...

 

[Aaron-"the snake's hip"]

And spank you too!

> Well, when I started playing this, I did it as follows:

> Verse: D, A then G, A, Bm

> Break: F#m, E

> - this is the way he plays it on the Troy Tate version.
> However, an easier way, and the way he plays it on the version with Sandie
> Shaw, is to put a Capo on the 2nd fret, and play it as follows:

> Intro: F, G, Am

> Verse : C, G then F, G, Am

> Break : Em, D

> I reckon this way it sounds more resonant, and you don't have to play the
> fiddly (to me) F#m. The notes sound the same anyway.

> Bye for now,

> Sk.

Fankies.