O
On his way out
Guest
Since no-one asked for an analysis...Everyday is
November spawned
Last of
Pregnant for
Sing your
Now my
Speedway
Why don't
My Love Life
Come back
Hon Mens: Suedehead, The teachers
EDILS: the portentous bass, vivid locales and events, the humdrum and the nuclear...COSMIC
NSAM: contortedly danceable, cruelly honest, daring to scream the things we are not meant to whisper
LOTFIP: hookline riff, big chorus, sauntering Londerworld swagger
PFTLT: the perfectly pitched observations from a chaste only son, rockabillying about over being knocked up
SYL: an upbeat challenge to arise, from the blank prose of our being, "what would you do if you weren't afraid?"
NMHIF: the ornate front door of Vauxhall and I, an anthem of family, friends, by-passers and Brighton Rockers
S: the exhaust filled exit from Vauxhall & I, a defiant apology, glorious tirade, the farewell we shall not see its like again pinnacle
WDYFOFY: urgent warning guitar, prophetic delivery, a pop Cassandra
MLL: insistently languid, trying to become a duet but never quite...
CBTC: soaring from lonely rooms to rubbing legs, somewhere between Dickens and Winehouse, we quiver at a touch
Hon Mens:
S: a singeing flirting singalong game of hand to forehead and head thrown back
TTAAOTP: the new victim revealed in a death march, another shamed hero wedged between jargon and bile