I hadn't thought about it but now that you mention it, it was the start of the end of the love affair that began in '84. This is how it played out:
Maladjusted was a bit weak, though the stronger tracks didn't make that too obvious at the time.
The legal battle with Joyce and Rourke had brought to the fore his irascible spirit in a less than charming way (q.v. "Sorrow..."). This would continue.
Disputes with labels sullied the 'art' with 'avarice' (on both sides)
The move to California made him a more public figure but without any product for support. It also changed his disposition - made him almost bipolar. Many interviews were absolutely bitter but he was often sunnier and downright happy.
He was becoming a diva.
All of this would have been fine (after all we xcan't expect him not to change) except for the fact that the music was getting stuck in a rut. Lyriclly it wasn't as sharp and it still ploughed the same ground.
By the time Quarry came out (in drips and drabs) the lustre was gone. It was a solid album. I love it and listen to it a great deal but the reverence of the creative force behind eroded away over those seven years.
And Ringleader! The first Smiths or solo album I did not buy since '84 (barring a couple of those best of's). When something from Hatful or Kill Uncle pops up on the iPod next to a Ringleader track it is painful how unimaginative the work has become.