...Was listening to (and really enjoying) the Larry Williams/Johnny Watson song "Too Late" (1967); the song seemed pretty instantly familiar -- even during the first listen -- but in a way I couldn't quite place.
Then the familiarity was spelled out for me rather dramatically. At the end of the song, when the horn 'fanfare' (just my laymans' shorthand, there's probably a better term for it) coda to "Irish Blood, English Heart" came through, note for note.
Check it out for yourself if you would like, in this YouTube clip. (The spot-on ending fanfare starts at 1:59)
My question is: do you think that this would indicate a fairly purposeful and direct homage/nod on the part of Whyte/Finn, or is this particular vamp/coda/horn-line/whatever common enough to have entered into the realm of "song-writer shibboleth"? I think the parallels would be pretty apparent to anyone, but I'm not at all sure if it's unique enough to be noteworthy. I'm really hoping that someone with a more nuanced understanding of music/songwriting can help shed some light on this for me. Many thanks.
Then the familiarity was spelled out for me rather dramatically. At the end of the song, when the horn 'fanfare' (just my laymans' shorthand, there's probably a better term for it) coda to "Irish Blood, English Heart" came through, note for note.
Check it out for yourself if you would like, in this YouTube clip. (The spot-on ending fanfare starts at 1:59)
My question is: do you think that this would indicate a fairly purposeful and direct homage/nod on the part of Whyte/Finn, or is this particular vamp/coda/horn-line/whatever common enough to have entered into the realm of "song-writer shibboleth"? I think the parallels would be pretty apparent to anyone, but I'm not at all sure if it's unique enough to be noteworthy. I'm really hoping that someone with a more nuanced understanding of music/songwriting can help shed some light on this for me. Many thanks.